Relativistic Ramblings

The Borderlands games have managed the impressive feat of carving out a distinct identity and firmly staying put against a tidal wave of ever more monotonous first‐​person shooters. The strength of the franchise has been a core of loot‐​driven, trigger‐​happy run‐​and‐​gun FPS gameplay with RPG elements, wrapped in a generous helping of wacky humor. This makes Telltale Games’ spin on the Borderlands universe an interesting one, entirely swapping out the FPS mechanics with the now genre‐​standard conversation‐​driven adventure format. I’m intrigued by a Borderlands game where your strongest weapon is your wit, but while they certainly nail the absurd humor, I could to without the halfhearted attempts at adding drama to the mix.

Continue reading “Review: Tales from the Borderlands”

Imagine a high‐​tech Orwellian dystopia. A teenage girl known as 390‐​H (or Hope, as she calls herself) is caught with an illegal political manifesto and scheduled for “recalibration”, an unexplained but undoubtedly nefarious process. Using a cellphone, she contacts you – the player, a mysterious entity in an undisclosed location – and begs for help. Your task is then to help her escape by jumping between the ubiquitous surveillance cameras in the strange facility, hacking doors and other equipment, and telling Hope where and when it’s safe to go in order to avoid patrolling guards.

The elevator pitch is great, but sadly, Republique completely fails in delivering a satisfying, cohesive experience.

Continue reading “Review: Republique”

I’ve never attempted to hide the fact that I’m a sucker for big open‐​world games with complex mechanics. But games can be so much more than that. In particular, I’m fond of short and focused games that know what they want and how to get it across succinctly, without pointless filler content. Oxenfree is just such a game.

Continue reading “Review: Oxenfree”

Most games lack complex characters with any depth at all. Most games steer clear away from important topics and issues. Most games do not concern themselves with evoking more complex emotions than “I’m having fun”.

Thankfully, Life is Strange isn’t like most games.

Continue reading “Review: Life is Strange”

I finally got around to playing the now half‐​year old Just Cause 3, and you know what that means: Time to chew gum and blow stuff up, and I’m all out of gum (no really, I am). The series’ third installment follows squarely and safely in the footsteps of its predecessor, but while it is in most respects a better game, you wouldn’t think a whole six years have passed.

Continue reading “Review: Just Cause 3 – everything looks better on fire”

I recently blasted my way through the second half of Far Cry 4 after having meticulously collected and completed everything in its first half. The transition in my playing style happened when I realized that 1) much of Far Cry 4’s “unique” content is really just slight formulaic variations on the same concepts, which aren’t really that interesting in the first place, and 2) I’ve got better things to do. So here’s a ranty kind of review of Far Cry 4, which may be a bit negatively biased because I’m already grumpy about Ubisoft sandboxes’ lack of respect for my time.

Continue reading “Review: Far Cry 4 – just another take on Far Cry 3”